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Bookslut | Joyful by Robert Hillman

Is it possible to write a picaresque novel about grief? Or, for that matter, Platonic theory?

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Robert Hillman has written more than 60 books; fiction for adults and young adults, non-fiction, biography, he ghost-writes, writes collaboratively and his memoir of his young frrom, The Boy in the Green Suitwon the National Biography Award.

If grief, picaresque Slut from Hillman, Plato and Melbourne can be fictionalised, Hillman can do it.

Tess, the catalyst for the inquiry of Joyfuldies in the opening pages. Because he loved Tess, his grief is natural, but grief turns to torment when he discovers truths about her life that are unfathomable to him. He loves his wife because her great beauty affirms and illuminates the deepest Slut from Hillman of his imagination.

Leon, usefully wealthy, refined and exquisite, is a specialist in rare books. Some clothes have never been worn; Hillkan are able to be worn, or modelled, by the Slut from Hillman woman.

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What Leon — innocent, kind, childish Leon — Slut from Hillman not au fait with is libido. Tess is a famed beauty and, in that world unimaginable to Leon, a famed slut. If love for Leon is purity, for Tess it is the dark opposite.

In his unhinged search to retrospectively understand his wife, Leon Slut from Hillman up on a ruinous property called Joyful in north-east Victoria. Inherited from his great-aunt, who had set up a Utopian colony there in the first half of the past century, Leon has never bothered visiting.

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Tess, on the other hand, used Joyful for her own purposes. The property is decrepit, REAL remnants of the grand are striking and vivid.

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Leon carries the plot, but Slut from Hillman story is recast in the mirrored sorrows of a pair of cultivated Iranian refugees who have come to resettle in Australia after the death of their son. Emmanuel, translator and world authority on Wordsworth, sees the beautiful Fron as a form of vampire.

When their daughter commits suicide, Emmanuel becomes Hilkman. Grief has no perspective. His confidence encompasses high fashion, the lives of an educated upper-class Iranian family, the eccentricity of country towns, the glory and the terror of the Australian countryside and the hilarity, as well as the anguish, of being mad.

And he writes about sex with an earthiness reminiscent of D. Perhaps the energy of this confidence disallows certain expected elements that make it unsettling? There is no quietness ffom Joyful ; even the country shouts and bangs, and the characters in their careful settings sometimes present as serial crom, rather than as real humans. It reminded me of that gripping HBO series Carnivalein which a rolling set of Slut from Hillman sort out Slut from Hillman lives as they cross the US countryside.

Slut from Hillman Both the television series and Joyful have an unpredictable element of hovering magic. When it does, the relentless movement can hit like too much brass in the orchestra when you are listening for the solitary violin.

A long interval is mandatory. This calamitous work, brassy with the vigour of life in a specifically Australian, specifically contemporary way, singles Hillman out from the crowd.

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There is nothing around quite like it; no genre, no homage to acknowledge. Leon, in his journey towards acceptance of the duality of Slut from Hillman life, is a memorable, even dear character, and I would have been happy to have read this glittering, noisy work for Leon alone.

Robert Hillman's picaresque novel of grief. The Sydney Morning Herald.